Group exhibition with Ashley Gillanders, Rosemary Holliday Hall, SaraNoa Mark, and Galen-Odell Smedley at Heaven Gallery. I exhibited another iteration of Acknowledgments, this time raising awareness about colonialism’s impact on the land and native species while also highlighting the contradictions inherent in American symbols and policies. Using both the original and covered versions of the song Fly Like an Eagle to explore themes of historical recurrence, I layered all the covers, merging them into a confusing dissonance that dislocates the original author, much like how historical and intergenerational trauma can manifest as dissociation or fragmentation in the body and mind. The piece also incorporates a collective candle pour, "For once they intuited that the human will was long intent on capture, they all conspired to rest their Truth everywhere" - M. Jacqui Alexander, along with a wall installation featuring a spotlight and a temporary tattoo Phoenix, and a digital webpage containing resource links embedded within a contextual timeline of Acknowledgments 2020.