Group exhibition with Chloe P. Crawford, Nat Decker, Jeff Kasper, Carly Mandel, Jeffrey Meris, and Libby Paloma at Tufts University examining the radical questioning of Johanna Hedva’s seminal text, “Sick Woman Theory,” asking: “How do you throw a brick through the window of a bank if you can’t get out of bed?” Featuring a multimedia installation consisting of two works: a site-specific video installation, If the earth is flesh, everything remains, and a collapsible sculpture, open Source (bench), the works explore connections between land and body conditions, and ways to intervene, critique, adapt, and transform current structures into responsive sites for reflection, healing, and support.

OPEN SOURCE

An installation that serves as an adaptive model interrogating the theories and works of Carl Andre and Donald Judd, the architecture of NYC public housing, book bans, and censorship. It transforms these minimalist objects and oppressive realities into relational objects of support (a communal table, desk, benches, and stools) and learning (curated books and media) for various communities, expanding ideologies to create a new integrative site as a citation. Through a collection of resources and via collapsible sculptures, the work functions as a living archive or record and as a mobile institution.

THE DOOR YOU OPEN IS DETERMINED BY HOW YOU TWIST THE KNOB. THE ROOM YOU ENTER IS DETERMINED BY HOW YOU OPEN THE DOOR.

ACKNOWLEDGMENTS ~~2022~~

BLOSSOM SOUP, BLOSSOM SALAD

YOUR POISON IS OUR MEDICINE

ARROW

SURFACE TENSION

ACKNOWLEDGMENTS ~~2019~~

SOURCE OF ORIGIN

A WAVE IS WATER

BEING FREE TOGETHER

FINDING STABILITY AMIDST GLOBAL POLITICAL TURMOIL